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Additionally, many powerful effects and plugins are designed to be applied specifically to Solid Layers, such as Element 3D. For instance, a Solid Layer can achieve much of the same results as a Shape layer, but if all you need is a simple rectangular shape, then a Solid Layer will be much lighter-weight in terms of processing and memory. Once you get the hang of using Solids in conjunction with images and video, you’ll be ready to start leveraging the full breadth of layer types.Īlthough Solids are an older layer type inside After Effects, they persist in relevance due to their simplicity. Begin with understanding the Solid Color Layer first. If you’re relatively new to After Effects, keep it simple. Each has unique functions and parameters, some more advanced than others. Other layer types include Shape Layers, Adjustment Layers, Cameras, Lights, and Null Objects.
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The Solid Color Layer is one of several basic layer types in After Effects. More specifically, it’s a vector-based, two-dimensional object generated with minimal data - just a rectangle with color, height, and width values assigned to it.Ī Solid Color Layer inside After Effects. So what exactly is a Solid Color Layer in After Effects? Simply put, it’s a plain single-color layer. Let’s demystify one of the most basic and essential elements of After Effects - the Solid Color Layer. If you’re still pretty new to the application, here’s a chance to dig in a little deeper. However, After Effects provides a lot of powerful tools distinctly more advanced than those in Premiere Pro and Photoshop. Video editors may feel perfectly comfortable working entirely inside their preferred NLE, and designers may feel daunted by the technical side of video, and that’s perfectly understandable. If you’re a seasoned editor or designer still feeling lukewarm about jumping into After Effects, I encourage you to finally give it a go. Learn about the many interesting and effective ways you can work with Solid Color Layers in After Effects.